
I’ve been singing the song “Masters of War” a lot lately. Every time I practice, I play it. I’d guess I’ve worked through it, either listening or playing, at least 500 times since September. The verses are burned into my consciousness. Every word is still relevant; the military industrial complex is every bit as powerful now as it was when Dylan wrote about it in 1963 at the ripe old age of 22. 22! And he created what's gone down as one of the most succinct, eloquent protest songs of all time, certainly one of the landmark antiwar pieces.
But for all its brilliance, what futility he must have felt. A guitar and a voice vs. the military-industrial complex. These people didn't hear a word he said. They were tucked away, safe and sheltered. That their trade was a curse on the whole world was not their problem, and mere criticism could not and did not move them. If Bob Dylan was president, maybe they’d mind, but he wasn’t even a speck. But he did have two things: the moral high ground, and the First Amendment. That’s all anybody has, really. If right is on your side, you can be vocal about it and hopefully others will hear and join. Accusation, for all its pitfalls, is a necessary step toward justice.

He released this song in 1963, which would have made him about 22. I bolded my favorite verses.
Come you masters of war
You that build all the guns
You that build the death planes
You that build the big bombs
You that hide behind walls
You that hide behind desks
I just want you to know
I can see through your masks